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Showing posts with label carriages. Show all posts
Showing posts with label carriages. Show all posts

Tuesday, November 10, 2009

Which Carriage?

Indian summer, what a gift! The weather has been sublime here in Iowa these last few days. Perfect weather for working horses makes my job envious. Soon we will be relegated to long lining in the indoor arena for months. But for now, we revel in the soft sunshine. Today it is off to Jester Park for a practical application of skills on the trails. Oh, joy.

I have been advising a new driver on the purchase of a show carriage. Two wheeled, four wheeled, modified road cart, wicker phaeton, buy modestly or make an investment, hybrid or antique? So many questions need to be addressed. I was lucky when I was in her position, I had Harold Ault to advise me. I hope I can be as much use for her as Harold has been for me.

The sport of carriage driving is evolving so quickly that making that decision is even more difficult now than it was 10 years ago. Combined Driving Events are eclipsing Pleasure Shows and vehicles have to do double duty. The number of classically styled original vehicles is dwindling and hybrids are prolific. Horses are required to canter in dressage tests and let me tell you that is not comfy in my gig.

It is an exciting time, history is being made in front of our eyes.

Kind Regards,
Michelle Blackler
Serendipity
www.hossbiz.com
Serendipity is an Accidental Sagacity Corporation company.

Friday, November 6, 2009

CP Kimball & Company

Fridays are carriage days, so here is one from the archives [author unknown], with an interesting historical note on the Portland sleigh.

"Charles Porter Kimball was born in 1825. At the age of eighteen, by agreement with his father, he moved to Bridgton to work under his brother and to get further schooling. Four years later, in 1847, Dr. Theodore Ingalls lent him 1,000 dollars to open his own carriage workshop in Norway, Maine, about ten miles from Bridgton. At first he employed only two or three workers and had the ironwork made elsewhere. The business grew and more hands were taken on. In 1850 Charles Kimball purchased a water privilege and built a new shop, 100 feet by 32 feet, three stories high. In 1852 he established a repository for the sale of carriages in Portland, and in 1854, he moved his works to that city, at the corner of Preble and Congress Streets. The Portland business prospered, the factory was enlarged and Charles was recognized as an important figure in the carriage industry. So much so that when the Carriages Builders' National Association was formed in 1872, he was invited by his colleagues, Clem Studebaker, John W. Britton of Brewster & Co., John Green and James Goold, to be the first president. He continued in that office until 1876 when he declined re-election.

Then at the height of its prosperity, the Portland factory employed between twenty and thirty hands in regular employment with about five girls employed in trimming. Wheeled vehicles of many kinds were turned out, but the Kimball factory became most famous for its sleighs of a distinctive design, known then as the Kimball Sleigh, and more commonly, called the Portland Cutter.

C. P. Kimball accumulated a large fortune and became a pillar of the community, widely recognized for his business acumen and strength of character. He was president of the Maine Charitable Mechanics Association, surveyor of the port of Falmouth and Portland, and a city alderman. The Maine Democrats nominated him for State Governor, and, although defeated, he was nominated again in 1875, receiving on that occasion the largest vote of any Democratic Gubernatorial candidate up to that time.

In 1876 he moved to New York to be associated with Brewster & Co. in the production of fine Portland Sleighs, named the Kimball-Brewster Sleigh and shown at the Centennial exhibition. He resided in New York City for only a few months, and he was invited by Governor Tilden of New York to be the State Centennial Commissioner for the Exhibition then being Planned for Philadelphia.

In January, 1877, Charles P. Kimball and his son, Charles Frederick, started business in Chicago as C. P. Kimball & Co., a firm which became one of the leading builders of fine carriages in North America; some critics have judged their work superior to Brewsters'."

I concur.

Indian summer this weekend, hope you enjoy...

Kind regards,
Michelle Blackler
Serendipity
www.hossbiz.com
Serendipity is an Accidental Sagacity Corporation company.

Wednesday, October 14, 2009

If I had a million dollars

I'd buy a bunch of carriages at Martin's Auction this weekend. My friends Todd Frey and Mike Rider are going, lucky sods. But thankfully Harold Ault is not. You have enough carriages, Harold- and I will remind you of that again on Friday, when I'm on the carriage barn roof fixing it in the rain.

But still it is fun to talk about which ones we'd buy because we are not Todd Frey. Here is what I would buy, based just on the photos: one of the Breaks, the Spider [despite the condition of that top], one of the Kuhnles, and the yellow road cart next to the gigs. "But Michelle! What about the gigs?" I hear you exclaim. I have a gig, I'm not greedy. I do like the look of the first, dark Stanhope in the snow for those who want my opinion. I considered the T Cart, but Harold has one that is prettier and I don't want it if it isn't as pretty as Harold's.

Sleighs, sleighs, sleighs, I just can't get excited about sleighs. Harold's fault again, my first sleigh ride was in a Panel Boot Victoria sleigh put to Don Pecos and Ace, and I can't think anything could top that, so I am done with sleighs, unless I someday move to Wisconsin where I understand they plan to use them this weekend.

Road coaches and park drags- must be a man thing. I like them, but prefer a Break, don't need a coach, I'll leave it to the guys.

Go to: http://www.auctionzip.com/cgi-bin/photopanel.cgi?listingid=539225&feed=1 and tell me which ones you'd buy, if you had a million dollars.

Kind Regards,
Michelle Blackler
Serendipity
www.hossbiz.com
Serendipity is an Accidental Sagacity Corporation company.

Thursday, September 17, 2009

Accidental Sagacity for Today: Harold Ault

My friend, Harold Ault of Ames, IA, is a rare find. By all accounts, he is the purest definition of eccentric. At first glance, it is easy to misunderstand him. His appearance is usually slightly disheveled, his gait both swinging and staggering at once, his mode of transportation helped down the road with the aid of log chains and cement blocks. But look for the accidental sagacity and you trip over a substantial treasure.

Harold is a walking, talking, dog eared, highlighted, frequently thumbed through, epic volume of encyclopedias. He is a collector of nearly everything there ever was on this earth, namely carriages, their accouterments and a bevy of anecdotes. For the uninitiated, Harold is the Saturday NY Times crossword puzzle. However, if you express an interest, he will start you out with a Monday puzzle and give you many clues.

I have known Harold for 11 years, a year after learning the importance of traces. And now I can tell you the difference between a road coach and a park drag. He has only had to explain the differences to me a hundred times, but he never tires of trying. Every time, he remembers yet another story to add to the richness of the lesson.


To say that I am familiar with Harold's carriage collection would be stretching it. However, I am aware of the historical significance of many of the items. He has so much stuff, both tangible and intangible, that it is sometimes overwhelming. It is a Show and Tell that has lasted 11 years and counting, of which I am eternally grateful to him.

In order to show my appreciation, I nag him constantly about writing a book and categorising his collection. Now that he is retired, I nag even harder. The purpose for writing this blog is to engage you, dear reader, to join my cause. Whenever you see/meet Harold Ault, let this blog be your first impression of him. Look beyond the cover and encourage, berate, cheer, cajole or threaten him into achieving the potential of his collection and in turn of his life's work. And ask, if you dare, the differences between a park drag and a road coach. Someday, you'll be glad you did.


Harold driving Don Pecos put to
his Kimball Stanhope Gig, at the
Villa Louis Carriage Classic, 2000

Monday, August 24, 2009

Accidental Sagacity for Today: Harold Ault

My friend, Harold Ault of Ames, IA, is a rare find. By all accounts, he is the purest definition of eccentric. At first glance, it is easy to misunderstand him. His appearance is usually slightly disheveled, his gait both swinging and staggering at once, his mode of transportation helped down the road with the aid of log chains and cement blocks. But look for the accidental sagacity and you trip over a substantial treasure.

Harold is a walking, talking, dog eared, highlighted, frequently thumbed through, epic volume of encyclopedias. He is a collector of nearly everything there ever was on this earth, namely carriages, their accouterments and a bevy of anecdotes. For the uninitiated, Harold is the Saturday NY Times crossword puzzle. However, if you express an interest, he will start you out with a Monday puzzle and give you many clues.

I have known Harold for 11 years, a year after learning the importance of traces. And now I can tell you the difference between a road coach and a park drag. He has only had to explain the differences to me a hundred times, but he never tires of trying. Every time, he remembers yet another story to add to the richness of the lesson.

To say that I am familiar with Harold's carriage collection would be stretching it. However, I am aware of the historical significance of many of the items. He has so much stuff, both tangible and intangible, that it is sometimes overwhelming. It is a Show and Tell that has lasted 11 years and counting, of which I am eternally grateful to him.

In order to show my appreciation, I nag him constantly about writing a book and categorising his collection. Now that he is retired, I nag even harder. The purpose for writing this blog is to engage you, dear reader, to join my cause. Whenever you see/meet Harold Ault, let this blog be your first impression of him. Look beyond the cover and encourage, berate, cheer, cajole or threaten him into achieving the potential of his collection and in turn of his life's work. And ask, if you dare, the differences between a park drag and a road coach. Someday, you'll be glad you did.


Harold driving Don Pecos put to
his Kimball Stanhope Gig.